[6-12] "Hamilton's pose"

Most portraits of Alexander Hamilton (1755-1804), author of the Federalist Papers, depict a contemplative look and a persistent gaze left of the viewer.

In looking away Hamilton does not address the painter; he does not smile; he does not say "cheese" and appears neither excited or dreary. He looks focused, or concerned, as if caught in the revision of an old idea.

This style of portraiture has been forgotten.

I start sessions by expressing my purpose (as a photographer) is to make it seem as if the picture were accidental—not set up. Their expression should convey a carefree disregard for the camera; if this not clear, I am more succinct by saying “most people these days try too hard in images.”

Most people get it; we routinely prefer pictures of people where minimal effort is seen. "Accidental" works, but also "unexpected" or "unrehearsed”: these give the portrait its maximum, raw flavor.

The opposite—to stare the camera for the viewer's approval and to demand from oneself beauty and an outward disposition of good mood—is a mistake, an exaggeration spotted by most viewers.

Alexander Hamilton goes oppositely: a display of near callous indifference to being seen or noticed by others.

To look away, during a conversation, is a strong statement. It can imply indifference, like if a waiter does not look at us, but it can also mean thoughtfulness, and regard to look away to consider a difficult statement. I try to get both in every photo session.